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RC: What is the most you've ever shelled out for a single commission piece, and did that work of art turn out to be the most cherished in your collection?
Jason: The most I’ve ever spent on a commission, was a very reasonable $115CDN (back when the US dollar was slightly higher than the CDN doller), for my Aaron Lopresti Wonder Woman. It is a beauty and worth every penny, but it is not my most cherished piece in my collection. That title goes to my Darwyn Cooke Wonder Woman sketch. I just absolutely love that sketch, and will take that to the grave with me.
RC: Give me your favorite sketch-related experience so far.
Jason: My favourite sketch-related experience happened last August, at Fan Expo Canada. I had tried to get a sketch from Michael Turner in 2004, when I got back into comics. Unfortunately, I was unsuccessful. I tried again in 2005, with the same result. He did not appear in 2006, but returned in 2007. A friend of mine, one of many that I met at the conventions, Brian, was talking with Mike at the Aspen Comics booth and scored himself a sketch, as well as one for another friend of ours, Saif, for his birthday. I was both happy for him and jealous of him at the same time. So when Brian was leaving the booth, I went to congratulate him, and drool over his sketch (figuratively). Saif appeared very shortly after, and both of them encouraged me to ask Mike again, since I really had nothing to lose. As it turns out, Mike agreed, and I was able to score a quick Wonder Woman sketch by Michael Turner, something that I wanted to get back in 2004.
RC: Not to bring up bad memories, but what's the worst experience you've had while getting a sketch or commission? No need to give names on this one.
Jason: Well, this one does stick with me, though it was really a misunderstanding with the artist. While he was sketching, he had an empty seat next to him, to chat with fans. So while the artist was sketching, I sat and chatted with him. It was when I got up and was going for my wallet to pay him, he mentions something along the lines of, “Hey, it’s $20 for the sketch.” I was aware of the price, and as I said, I was going for my wallet. But those near the front of the line though I was trying to run off with a free sketch, because I could hear the comments being made.
RC: In your opinion, who is the flat-out best artist in comics today?
Jason: There are so many artists that I like. All of their styles are different. My all time favourite is Jim Lee, so I do think he is the best artist in comics today. I just wish his books would come out on a more regular basis.
And just to throw it out there, my other favourite artists are, Darwyn Cooke, John Cassaday, Ethan Van Sciver, and Ryan Kelly.
RC: Who is the brightest up-and-coming artist?
Jason: Michael Choi. In the past five years, he’s gone from being a background assistant for Marc Silvestri to becoming the regular artist on Witchblade, to X-23: Target-X, and currently he’s working on Uncanny X-Men. That guy is just going to get bigger.
RC: Next comic show we'll likely be seeing you at?
Jason: The next show I will be at is Hobbystar’s Toronto ComiCON Fan Appreciation Event, April 12th-13th, 2008. I can be found in line, or hanging around the Digital Kontent table, chilling with those guys and Shane Heron.
RC: Thank you!
Jason: Thanks for having me.
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